Rembrandt’s The Night Watch in 44.8-gigapixel detail
The composite picture of The Night Watch, made of 528 exposures stitched together digitally, makes it possible to zoom in on individual brushstrokes and even particles of pigment in the painting
The composite picture of The Night Watch, made of 528 exposures stitched together digitally, makes it possible to zoom in on individual brushstrokes and even particles of pigment in the painting
Giorgia Marucci from Pro-Lite Technology visits the National Gallery in London to find out how hyperspectral imaging was used to reveal the history behind Leonardo da Vinci’s The Virgin of the Rocks
Farmers are starting to reap the rewards of robotics and machine vision, as Keely Portway finds out
Open source software has advanced to a point where it’s now a credible option for industrial imaging, Matthew Dale finds
Chris Beynon, Active Silicon’s CTO and technical chair of the Coaxpress committee, updates on the Coaxpress standard
The Khronos Group and the EMVA are to explore software standards for embedded vision. Khronos’ Neil Trevett and EMVA’s Chris Yates explain the work
Greg Blackman reports from the Embedded World show, where industry experts gave insights into vision processing at the edge
Greg Blackman speaks to Guy Meynants, formerly of Cmosis, and Paul Jerram, of Teledyne e2v, about the history of the image sensors onboard the Mars rover