Rembrandt’s The Night Watch in 44.8-gigapixel detail
The composite picture of The Night Watch, made of 528 exposures stitched together digitally, makes it possible to zoom in on individual brushstrokes and even particles of pigment in the painting
The composite picture of The Night Watch, made of 528 exposures stitched together digitally, makes it possible to zoom in on individual brushstrokes and even particles of pigment in the painting
Giorgia Marucci from Pro-Lite Technology visits the National Gallery in London to find out how hyperspectral imaging was used to reveal the history behind Leonardo da Vinci’s The Virgin of the Rocks
A roundup of some of the latest embedded vision technology
Tim Hayes provides a window into how to find defects in glass
Mathias Bochow, GFZ Helmholtz Centre, Potsdam, is working on the Trace project to track marine plastic. Credit: Frank Schweikert, Aldebaran Marine Research & Broadcast (www.aldebaran.org/en/)
Abigail Williams speaks to scientists tracking marine plastic using satellite spectral imagery
Tim Reynolds finds out how vision and AI algorithms are making cities safer
Anne Wendel, director of VDMA Machine Vision, on how the mechanical engineering sector could be affected by the war in Ukraine
Greg Blackman examines the importance of Tower foundries to machine vision sensor firms, following Intel’s acquisition